Designer notes — Anemoia Vestiaire

Colombo Cashmere

Italy · Pure cashmere & noble fibre

An Italian house working pure cashmere and the rarest noble fibres — quality you read in the hand, not on the label.

Colombo Cashmere
Colombo belongs to the small circle of Italian houses that treat cashmere as a raw material to be earned — combed, sorted and spun — rather than a word to be printed.
The houseItaly · Cashmere & noble fibre

A cashmere house that
starts at the fibre.

Colombo is an Italian cashmere house, devoted to pure cashmere and the rarest noble fibres — including vicuña. It is known among people who make and wear fine knitwear for the consistency of its raw material rather than for advertising.

The logic is the one that runs through the whole top tier of Italian cashmere: secure exceptional fibre at the source, spin and finish it with care, and let the finished piece argue its own case. A pure-cashmere Colombo garment is a quiet object that reveals itself in the hand.

Known forSignatures

What pure cashmere
should feel like.

  • 01Pure, stated plainlyCashmere given as 100% — the single most direct quality signal a knit can offer, and the baseline this house works to.
  • 02Noble fibreA house fluent in vicuña and the rarest fibres, not only cashmere — the register reserved for very few makers.
  • 03Loft and recoveryLonger-staple fibre that springs back when gently stretched and resists rapid pilling — the behaviour of a good grade, felt before any label.
  • 04Italian finishingSpun and finished in Italy, where the transformation from raw fibre to refined yarn actually happens.
"Pure cashmere asks one question of you — touch it — and answers before you have read a word."
— Anemoia Vestiaire, material notes
The materialsRead further

Cashmere, grade by grade.

Colombo is best read alongside our cashmere note, where grades, micron counts, pilling and care are set out in full — the knowledge that lets you judge a knit for yourself.

How we approach Colombo

We assess each Colombo piece by the fibre in the hand — its softness, loft and recovery — and by the honest condition of the knit or cloth.

We keep to what the garment and its markings show, and we do not claim a grade, an exact age, or a provenance the piece cannot support.

Fibre content, measurements and condition sit on each product page. Where the piece carries maker or content labelling, we record it as found.
In vintageWhy it holds

The case for older
cashmere.

The finest cashmere fibre has grown scarcer and dearer. A well-kept pure-cashmere piece from an earlier decade is often spun from finer, longer staple than the same budget reaches new — and it has already survived the years that reveal a poor grade.

That is the whole argument for vintage cashmere: the fibre was better, and time has already tested it.

Explore Colombo in the archive